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Movie Name            :            Tubelight (2017)
             Size               :            704 MB 
             Quality        :           DVDrip HD
             Category     :           Adventure, War, Drama
             Rating         :            IMDB

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Tubelight Full Movie Download DVDrip In a little thus pleasant town in North India.
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What made Tom Cruise a movie star? It wasn’t his toothy smile or his all-American dimples. It wasn’t that he was cocky enough to be loved, but also vulnerable enough to be lovable, although that certainly helped. It wasn’t even the fact that the way he runs on screen tells us more about the fundamental nature of cinema than anyone has conveyed with a stride since Eadweard Muybridge trained his camera on a galloping horse. No, Tom Cruise became a movie star because he possessed something that galvanized all of those individual qualities into something special — a need for quality control.
Just consider those credits: “Risky Business.” “Top Gun.” “Born on the Fourth of July.” Cruise was a human seal of freshness decades before today’s Hollywood A-listers needed Rotten Tomatoes to validate their work. If “Cocktail” was the worst movie an actor made in the first decade of their career, they were doing alright. And Cruise, against all odds, has maintained his god-level batting average for much of the three decades that followed; he’s only racked up 42 acting credits since 1981, and virtually every single one of them is memorable in its own way.
All of this is to say that not only is “The Mummy” the worst movie that Tom Cruise has ever made, it’s also obviously the worst movie that Tom Cruise has ever made — it stands out like a flat note on a grand piano. It’s not that Cruise hasn’t had misfires before (and between “Rock of Ages,” “Oblivion,” and “Jack Reacher: Never Stop Never Reaching” they’re happening at a faster rate), but “The Mummy” is the first of his films that doesn’t feel like a Tom Cruise movie. It’s not that it’s bad, it’s that it never could have been good. It’s an irredeemable disaster from start to finish, an adventure that entertains only via glimpses of the adventure it should have been. It’s the kind of movie that Tom Cruise became a household name by avoiding at all costs.
The inaugural installment of the instantly ill-conceived “Dark Universe” cinematic universe (a very 2017 way of saying that Universal is trying to dust off, bundle, and re-franchise the most famous creatures in its vault), “The Mummy” is an extremely grim welcome to a new new world of gods and monsters. Cruise plays Nick Morton, a Nathan Drake wannabe with so little personality that he makes Brendan Fraser look like Errol Flynn. In one of this interminable film’s only clever visuals, he and his chatty assistant Chris (Jake Johnson) are introduced into Iraq, the cradle of civilization, as insurgent bullets shred apart some of the local antiquities. These men work with the U.S. army in some unclear capacity, but really they’re treasure hunters. And they’re about to stumble onto the find of a lifetime, as a firefight reveals a massive sinkhole beneath the sand. There, 1,000 miles away from Egypt, they stumble across a sarcophagus that’s swamped in mercury and spiders. Archeologist, romantic interest, and blonde exposition machine Jenny Halsey (Annabelle Frances Wallis) tells Nick that this is bad. But, spoiler alert, it turns out that it’s actually really bad.

It’s not a tomb…it’s a prison. And Princess Ahmanet (“Kingsman” baddie Sofia Boutella, whose half-naked and heavily tattooed mummy is too much of a fetish object for the film to pretend otherwise) is itching to get out so that she can continue her maddeningly vague plan to terrorize London with bad special effects; London, of course, doesn’t flinch. A zombie-like tangle of rotted flesh and gray bones, Ahmanet is searching to reunite a red jewel and a rusty dagger so that she can transform a man into a vessel for Set, the god of death; when Nick pops open her casket it’s love at first sight. Meanwhile, in old Blighty, Dr. Henry Jekyll (Russell Crowe, who inspired my crowd to audibly boo when he introduced his character by name), is doing his best to keep the world of evil contained in its Canopic Jars.
Sofia Boutella in The Mummy
“The Mummy”
A recent discovery of ruins beneath the London tube has Jekyll concerned, though not anywhere near as concerned as viewers might be about the fact that the Nick Fury of the Dark Universe is a drug fiend who turns into a purple-eyed Bob Hoskins imitator if he misses an injection of his meds.
The idea that anyone will want to watch a standalone movie about this Jekyll and Hyde is preposterous at best, and sadly delusional at worst. You have to earn an interconnected movie universe, you can’t just assume that people will be grateful you assembled some characters who have nothing in common save for their shared corporate interests. Once upon a time audiences were asked to tolerate Hollywood’s creative bankruptcy, now we’re expected to applaud it — in 10 years, the copyright lawyers might get top billing over the stars.
“The Mummy,” much like the enduringly delightful 1999 version, tries to juggle a number of different tones, often alternating between action, horror, and comedy within the span of a single scene. That would be a difficult feat for a dexterous master like Bong Joon Ho, but for Alex Kurtzman — whose only previous directing credit is for a limp 2012 Chris Pine weepy called “People Like Us” — the challenge is clearly beyond his talents. The laughs are few and far between, as neither Johnson nor Cruise has ever been forced to parrot such weak banter, and the jump scares are haphazardly peppered into random scenes, as though that might be enough to indicate a sense of impending doom. It’s even worse when Kurtzman tries to meld those two modes into one, this tonally scattershot movie paying a half-assed homage to “An American Werewolf in London” before abandoning the idea in favor of generic genre sludge.

Review: ‘The Mummy’ Is The Worst Tom Cruise Movie Ever


A New York law professor has sued a theater chain for discriminating against men with women-only screenings of “Wonder Woman.”
Stephen Clark, 48, decided to sue Alamo Drafthouse after seeing a wave of complaints on the theater’s Facebook page.
“There was a vibrant argument happening on Facebook,” Clark told The Washington Post. “But when the theater responded to complaints, they were pretty snide about it and willing to mock anyone who had a complaint and that really struck me.”
The Albany Law School professor added, “There is also the fact that what they were doing is illegal.”
Alamo theaters across the country held the exclusive screenings and sold out quickly, the chain said on its website.
“Apologies, gentlemen, but we’re embracing our girl power and saying ‘No Guys Allowed’ for one special night at the Alamo Ritz,” the theater’s Austin location wrote on its website. “And when we say ‘People Who Identify As Women Only,’ we mean it. Everyone working at this screening — venue staff, projectionist, and culinary team — will be female.”
Other women-only screenings were also held in Brooklyn.
Clark’s lawsuit accuses Alamo of not just discriminating against male customers – but also male employees by staffing only women.
“It’s the principle of the thing,” he said. “I’m a gay man and I’ve studied and taught gay rights for years. Our gay bars have long said that you do not exclude people because they’re gay or straight or transgender — you just can’t do that for any reason.”
Clark further explained, “We have to deal with the bachelorette parties that come to the gay bar,” he added. “They’re terribly disruptive, but if you forbid women from coming to a gay bar, you’re starting down a slippery slope. It’s discrimination.”
On Facebook, unimpressed men railed against the Alamo in Austin.
“Great, let us know when you have guys-only screenings of Thor, Spider-Man, Star Wars, etc. Let’s see you walk the walk now that you set this precedence,” Mike Canales wrote.
The theater responded, “Very sorry if you feel excluded. We thought it might be kinda fun — for one screening — to celebrate a character who’s meant a great deal to women for close to eight decades. Again, truly, truly, truly, truly sorry that we’ve offended you.”
“Wonder Woman,” which was directed by Patty Jenkins and stars Gal Gadot as the title character, is the first superhero flick with a woman in lead role since 2005’s “Elektra.”

Movie theater sued for women-only ‘Wonder Woman’ screenings

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RAABTA STORY: Shiv and Saira are drawn to each other like long lost lovers, mostly because they are. Their love dates back centuries, and the reason why they drifted apart, has drifted back into their lives.

RAABTA REVIEW: The most common advice writers get is: “Show, don’t tell.” It means that a storyteller is expected to paint a picture as opposed to describing things mechanically. Raabta spends a lot of time telling you things, and not nearly enough in making them seem believable.

So we’re told that Shiv (Singh Rajput) is a ladykiller. But the next girl he lays eyes on, Saira (Sanon), will kill his long streak. She talks to herself in the mirror and tells us, by its way, that she's been experiencing weird tribal nightmares. As they get infatuated and verbalize to each other that it’s all happening too soon, Saira starts feeling the same connection with Zakir (Sarbh) - another blast-from-way-past. We’re then told that in a previous lifetime, Zakir and Saira were in love, until a savage warrior seduced her away.

Writers Siddharth-Garima and debut director Dinesh Vijan’s conviction isn’t questionable, but it doesn’t quite translate to the screen. Even though the movie is technically sound and looks great, it is missing the raw passion required to sell a love story. Especially one that’s been brewing for 800 years!

There are too many obvious influences: the saccharine first half is full of walk-and-talks in a beautifully shot European city (Before Sunset); the tribal past is right out of Game Of Thrones — Dothrakis are replaced by Murakis and astronomy is given similar importance; a scene towards the end is a forced throwback to Titanic.

As much as you can force influences into a love story, you can’t force love itself. Neither with good-looking actors flirting with chocolates and flowers. Nor with an ambitious flashback that adds years as opposed to maturity to the plot. But Raabta relies on this kind of forced love rather than the force of love.

Sushant Singh Rajput is a fine actor but lacks the casual charm required to make the self-important Shiv lovable. Jim Sarbh’s dialogue delivery is painfully awkward; he doesn't have the gravitas required for spouting those evil-genius kind of lines in Hindi. Kriti Sanon surprises. She looks good and seems to have honed her acting skills.

If sparks flew more organically, it would have been easier to make a connection with this epic tale of love.

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http://www.imdb.com/title/tt3731562/

A team of scientists explore an uncharted island in the Pacific, venturing into the domain of the mighty Kong, and must fight to escape a primal Eden.

Director: Jordan Vogt-Roberts
Writers: Dan Gilroy (screenplay), Max Borenstein (screenplay)
Stars: Tom Hiddleston, Samuel L. Jackson, Brie Larson
Genres: Action | Adventure | Fantasy | Sci-Fi
Country: USA

Kong.Skull.Island.2017.CAM.XviD-VAiN

T E C H N i C A L . i N F O . . .

Basic Information
Format : AVI
Format/Info : Audio Video Interleave
File size : 1.37 GiB
Duration : 1 h 49 min
Overall bit rate : 1 797 kb/s

Video
Duration : 1 h 49 min
Bit rate : 1 663 kb/s
Width : 720 pixels
Height : 304 pixels
Display aspect ratio : 2.35:1
Frame rate : 23.976

Audio
Duration : 1 h 49 min
Bit rate mode : Constant
Bit rate : 128 kb/s
Channel(s) : 2 channels
Channel positions : Front: L R
Sampling rate : 48.0 kHz

E N C O D E R S . N O T E S . . .

SOURCE......: ViDEO... DiRG [ your're so VAiN, bet you think this poo shine is about you.....
............: DiRG [ your're so VAiN, bet you think this poo shine is about you.....
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Scientists, soldiers and adventurers unite to explore a mythical, uncharted island in the Pacific Ocean. Cut off from everything they know, they venture into the domain of the mighty Kong, igniting the ultimate battle between man and nature. As their mission of discovery soon becomes one of survival, they must fight to escape from a primal world where humanity does not belong.

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http://www.imdb.com/title/tt2771200/

An adaptation of the Disney fairy tale about a monstrous-looking prince and a young woman who fall in love.

Director: Bill Condon
Writers: Stephen Chbosky (screenplay), Evan Spiliotopoulos (screenplay)
Stars: Emma Watson, Dan Stevens, Luke Evans
Genres: Family | Fantasy | Musical | Romance
Country: USA

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Video: AVC 3000kbps 1280x536 23.976fps
Audio: AC3 192kbps 2.0
Language: English
Source: ItalianMD
Encoder: CPG
Sample: included

Belle (Emma Watson), a bright, beautiful and independent young woman, is taken prisoner by a beast (Dan Stevens) in its castle. Despite her fears, she befriends the castle's enchanted staff and learns to look beyond the beast's hideous exterior, allowing her to recognize the kind heart and soul of the true prince that hides on the inside.


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Category : Bollywood Hindi Movies (2017)
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Release Date : 3 March 2017
Genre : Drama | Romance
Starcast : Vidyut Jamwal Adah Sharma Freddy Daruwala Thakur Anoop Singh Esha Gupta Adil Hussain
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Commando 2 is an upcoming 2017 Indian action film, directed by Deven Bhojani and produced by Vipul Amrutlal Shah.[1] The film is a sequel to the 2013 film Commando. The principal photography of the film commenced on 17 February 2016.[2][3] Vidyut Jamwal and Adah Sharma will be playing lead roles in the film.[4] The film is scheduled to release on 3 March 2017.

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